UK Prime Minister Keir Starmer has landed in Mumbai leading a record 125-member trade delegation, seeking to strengthen economic and cultural ties with India. The visit comes soon after the signing of the UK-India free trade agreement in July. Focus on Films and Business Starmer’s team includes

Kantara One was a revelation, and Kantara Two has gone even further, cementing itself as proof of what Indian cinema can achieve when vision, culture, and authenticity take the driver’s seat. Meanwhile, Bollywood has proudly lined up its next cultural contribution: Masti 4. Yes, while one part of India is busy redefining cinema, the other […]

I walked into Ek Chatur Naar with a fair bit of curiosity. The film had the promise of being a sharp, witty black comedy thriller — the kind of cat-and-mouse game that thrives on tension, clever writing, and just the right amount of humour. And to its credit, the script lays a solid foundation. The […]

As we stepped out of Param Sundari, we were left with the impression of a film that dazzles in patches but struggles to find real depth. The setup had us intrigued—Sidharth Malhotra as Param, a Delhi boy who believes in algorithms when it comes to love, paired with Janhvi Kapoor as Sundari, a Malayali woman […]

War 2, the much-hyped sequel in the YRF Spy Universe, lands with a thud rather than a bang. Directed by Ayan Mukerji and starring Hrithik Roshan, Jr NTR, and Kiara Advani, the film promised a globe-trotting spy saga but ends up recycling the worst clichés of Bollywood action cinema. The film opens with Hrithik Roshan […]

Rating: ★★★☆☆ (3.0/5) Ajay Devgn returns as Jassi Randhawa in Son of Sardaar 2, the long-awaited follow-up to the 2012 masala hit. Directed with unapologetic flair and armed with a generous dose of slapstick and patriotic overtones, this sequel sticks to its roots—loud, chaotic, and resolutely committed to entertaining its audience, logic be damned. Set […]

In 2025, Indian movie theaters welcomed audiences back after the disruptions of the pandemic. However, the excitement seems to have shifted. While Hollywood blockbusters like F1, Jurassic World: Rebirth, and Superman filled seats and sparked conversation, many Bollywood releases failed to make a similar impact. This growing gap reveals a critical issue: Bollywood’s

Bollywood’s love affair with the gangster genre has officially reached saturation point—and Maalik is the latest, and possibly most fatigued, offering in this long line of glorified underworld sagas. There seems to be no dearth of filmmakers eager to romanticize crime lords, drug syndicates, and political thugs, repackaging the same morally bankrupt narrative under