Dashavatar Review: The Kantara Moment of Marathi Cinema
Dashavatar (2025) arrives as a breathtaking blend of cinema and culture, one that anchors itself in the folk traditions of Konkan while speaking to a modern audience. Directed and written by Subodh Khanolkar, the film is a suspenseful yet soulful journey into the world of Dashavatari theatre, the centuries-old folk art based on the ten incarnations of Lord Vishnu. Shot against the lush backdrop of coastal Maharashtra, the movie is a visual masterpiece, combining stunning cinematography with authentic performances that stay with you long after the credits roll.
The story follows Babuli Mestri, portrayed with unmatched brilliance by veteran actor Dilip Prabhavalkar, who has once again proven why he remains one of Marathi cinema’s finest. His ability to embody an aging yet passionate folk artist, refusing to let go of his art despite physical limitations and family pressure, is nothing short of extraordinary. His portrayal is layered — balancing frailty with resilience, personal struggle with devotion to his craft. Supporting him, Siddharth Menon, Priyadarshini Indalkar, and others bring depth and emotional grounding to the narrative, making the world of Konkan’s theatre come alive on screen.
For viewers unfamiliar with the tradition, Dashavatar is more than just a film — it is a cinematic introduction to a proud heritage. Dashavatari Natak is a folk theatre form from Konkan that dramatizes the ten avatars of Vishnu, often performed during festivals with elaborate costumes, stylized acting, devotional music, and vibrant storytelling. For generations, it has been the cultural lifeblood of villages, blending spirituality with entertainment. By weaving this art form into a suspense drama, the film ensures that the legacy of Dashavatar is preserved while being reimagined for contemporary cinema.
This is why the film deserves to be called the “Kantara moment of Marathi cinema.” Much like how Kantara celebrated Karnataka’s Bhoota Kola and connected it with mainstream audiences, Dashavatar places Konkan’s heritage on the cinematic map with authenticity and grandeur. It reminds viewers that regional cinema, when rooted in culture, can achieve global resonance.
Credit must go not only to the cast but also to the director Subodh Khanolkar and the team of producers who dared to choose such a subject. Their courage to make a film that celebrates a traditional art form — while packaging it with gripping visuals, drama, and suspense — shows remarkable vision. They have not just adapted Dashavatari Natak for the screen; they have elevated it, giving justice to an art form that has thrived in Konkan for centuries.
With its heartfelt performances, rich visuals, and cultural depth, Dashavatar stands as one of the most ambitious works in Marathi cinema in recent years. It is a cinematic experience that bridges tradition with modern storytelling and ensures that future generations will not only know about Dashavatari theatre but also feel its emotional power.
Rating: 4.2/5
A visual and cultural triumph that sets a new benchmark for Marathi cinema.
